In Zevon's original recording, the song's final verse was a mildly disturbing fragment, in which he murmured "I met a girl at the Rainbow Bar/She asked me if I'd beat her/She took me back to the Hyatt House/.I don't want to talk about it." By the time Linda Ronstadt recorded it in 1977 (on her album Simple Dreams), with an appropriate gender switch, the masochist has been replaced by an avid young man from Yokohama the sexually rapacious Asian was changed back to a woman but otherwise remained when Zevon himself revisited the song for his wild and woolly 1980 live album Stand in the Fire, and she was still there when he recorded it a third time on his solo acoustic live set, 1993's Learning to Flinch. The song's verses sound as if Zevon is bragging and complaining at the same time while he discusses a taxing assignation with a woman from West Hollywood, and the chorus, in which he announces "These young girls won't let me be/Lord have mercy on me," is an example of self-pity that's mutated into self-parody - no one could be expected to feel bad for this guy, and Zevon sounds like he's having too much fun (and rocking too hard) to make the notion stick anyway. For most people, the inability to commit suicide would be regarded as a stroke of good luck, but instead Zevon opens his song by informing the listener that "I'd lay my head on the railroad track/Waiting for the Double E/But the railroad don't run no more/Poor poor pitiful me." The source of Zevon's misery, of course, is women, but not their absence or the one that got away - Zevon is troubled by the fact that the ladies simply won't leave him alone. View concert statistics of Poor Poor Pitiful Me (Clark, Bogguss,Tillis) by Warren Zevon played live. ARTIST: Warren Zevon TITLE: Poor Poor Pitiful Me Lyrics and Chords I lay my head on the railroad track And wait for the double-E The railroad dont run no. With Zevon's blessing, Ronstadt replaced the verse with “Well I met a boy / In the Vieux Carré, down in Yokohama / He picked me up and he threw me down / Saying "Please don't hurt me Mama!".” This verse was also used in Clark's version of the song.Warren Zevon's best work often speaks with the voice of an arrogance so strong it spills over into something resembling charm, and one of the best examples is "Poor Poor Pitiful Me," which he first recorded on his self-titled 1976 album. ![]() ![]() "The verse in “Poor Pitiful Me” was “I met a girl on the Sunset Strip,” I think, “She asked me if I’d beat her / She took me up to her hotel room / And wrecked my mojo heater.” It was really funny, and I'm saying to Jackson, “I can’t sing those words, man! That’s not who I am. Ronstadt would recall Jackson Browne had pitched "Poor Poor Pitiful Me" to her, teaching it to her in the living room of her Malibu home. Linda Ronstadt recorded a gender-altered version of the song during 1977. The song "Poor Poor Pitiful Me" was produced by Browne and was featured on Zevon's eponymous 1976 album Warren Zevon with backing vocals by Lindsey Buckingham. Poor Poor Pitiful Me (Alternate Version) song from the album Warren Zevon is released on Nov 2008. All three songs are featured on his third album, Excitable Boy (1978. Zevon's most famous compositions include 'Werewolves of London', 'Lawyers, Guns and Money', and 'Roland the Headless Thompson Gunner'. Listen to Warren Zevon Poor Poor Pitiful Me (Alternate Version) MP3 song. Warren William Zevon ( / zivn / Janu September 7, 2003) 1 was an American rock singer, songwriter, and musician. A list of albums and tracks for Poor Poor Pitiful Me by Warren Zevon which albums it is on and links to where to find it on Amazon Music, iTunes and Apple. ![]() It is reputed to be a friendly swipe at Jackson Browne Browne's own songwriting (such as "Here Come Those Tears Again" and "Sleep's Dark and Silent Gate" from The Pretender) could be quite depressing. About Poor Poor Pitiful Me (Alternate Version) Song. The song first appeared on Zevon's 1976 self-titled solo album. Warren Zevon - Poor Poor Pitiful MeRecorded Live: - Capitol Theatre - Passaic, NJMore Warren Zevon at Music Vault. In keeping with Warren Zevon's sardonic lyrical style, the song's verses deal with a suicide attempt, domestic abuse, and a brush with sadomasochism.
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